Often when using the Dreamwork Maps process, participants will identify a sea that contains a sunken ship laden with hidden treasure.  Recently, the deep-sea salvage company Odyssey Marine Exploration, Inc., announced that its divers had located probably the greatest underwater shipwreck treasure ever discovered.  The ship is the Nuestra Señora de las Mercedes, believed to be sunken in a Colonial-era shipping lane somewhere off the Spanish coast. 

It has been code-named The Black Swan by  the expedition divers, a title that metaphorically reflects the book of the same name by Nassim Nicholas Taleb.  In The Black Swan, Taleb proposes that unexpected events and processes are occurring more frequently and experiencing the highly improbable is becoming more likely.

When we dream, a swan often is a symbol of personal transformation and freedom.  The swan transforms from an ugly duckling into a beautiful creature that can move anywhere on land, sea or sky.  A white swan suggests clarity and wisdom, and a black swan suggests a vehicle to manifest our potential and become more aware.

Although Taleb describes the Black Swan process as being event driven, it seems that the most probable cause of a highly improbable event is an individual becoming aware of the sunken treasures in their own uncharted waters.  As we explore our own hidden potential and begin to realise our value, we often transform ourselves in a way that may have once seemed highly improbable.

Recently, a number of my clients have been dreaming about being in a wild wood.  In many of these dreams, there was a sense of encroachment and threat, with the forest being clear felled by anonymous figures.

Often when we dream of forests, we are exploring areas of ourselves that may be unknown to us and unseen by others.  In waking life, the traditional response to encountering the unknown in a forest is to cut the forest down to try and make the unknown known. 

Until relatively recently, Britain used to be covered in broadleaved forest from south to north.  Year by year, it was removed to deny sanctuary to wild creatures and those who lived beyond the law.  Now there are only a few square miles of ancient woodland left and those once familiar sanctuaries are gone.

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Out to The Fruitmarket Gallery last night to the opening of their ‘Print The Legend’ exhibition.

The exhibition, curated by Patricia Bickers, celebrates the concept of the Wild West as a possibility space.

In this land of possibility space, the archetypal often meets the specific, as shown in the film The Man Who Shot Liberty Valance.

In the film, Dutton Peabody, the editor of the Shinbone Star speaks the classic line ‘This is the west, sir. When the legend becomes fact, print the legend’.

When we dream, we often find ourselves printing the legend.  We take our own personal myths and legends and print them in the reality of our dreams.

As Joseph Campbell said ‘A myth is a public dream, a dream is a private myth’.